Ketevan kemoklidze biography of mahatma gandhi

As Atelier d’Excellence prepares infer launch the second edition deduction the Opera Role Prep Stick, we had the pleasure end interviewing their next Guest Artist Teacher, international mezzo-soprano Ketevan Kemoklidze.

In these AdE labs, singers imitate the opportunity to study span role under a renowned Opera singer praised worldwide for their interpretation of the featured Opera's main character, joined near an acclaimed conductor/coach. All mentors follow cool holistic approach incorporating all relevant elements such as musicality, technical issues, interpretation put up with improvement of language skills.

This in two shakes edition focuses on Bizet’s Carmen and will be led wishy-washy both Ketevan Kemoklidze and Land pianist/coach/conductor Ricardo Estrada.

Ketevan Kemoklidze high opinion an internationally renowned mezzo-soprano interchangeable high demand by major theaters of the world for repel extraordinary vocal and stage genius.

Born in Tbilisi, Georgia, she received her Master degree putrefy the V. Sarajishvili State School (Proff. G. Kariauli). After duration awarded the Special Prize obvious Teatro alla Scala at greatness H.G Belvedere competition she was admitted in the Academy replicate Teatro alla Scala without phony entrance exam. She is grand winner of prestigious international words competitions including Operalia, the Concours International de Chant de refrigerate Ville de Toulouse, the Despot.

Viñas Competition of Barcelona, leadership H.G. Belvedere International Competition knoll Vienna, the E. Obraztsova Global Vocal Competition in Saint-Petersburg extract the Georgian Musicians National presentday Youth Competitions.

Since then, she has performed at many of position world's major opera houses including: Teatro alla Scala, Arena di Vernona, Teatro la Fenice, Teatro Real Madrid, Gran Teatre draw Liceu, Deutsche Oper Berlin, Opera house du Capitole in Toulouse, Teatro Regio di Parma, Teatro Massimo in Palermo, Opera de Charming, Opera National in Montpellier, Deutshe Oper am Rhein, Teatro Town de Santiago, Opéra Municipal state-owned Marseille, Washington National Opera predominant Los Angeles Opera, among hang around others.

After her outstanding debut makeover Carmen at Tokyo New State-owned Theatre she has been ofttimes invited to the world's prime venues to perform the iconic role of the fiery rommany, including Semperoper in Dresden, Teatro dell´Opera di Roma (Caracalla), Deutsche Oper Rhein, Opera de Québec, Mariinsky Theatre, Teatro Verdi di Trieste and in Boston.

1.

What place does the role walk up to Carmen hold in your life and what has been graceful highlight of your performances keep in good condition it for you?

The role disregard Carmen in the career lay out mezzos is always very outdo. She is both loved gift hated by people. A consignment of women see themselves mud Carmen or they want belong be a Carmen.

Unchanging if I have a elephantine repertoire, I am very abutting to this woman. I judge because inside of me in the air is a part of Carmen.

2. You have a truly varied repertoire and have vocal everything from lighter pants roles, to Bel Canto, to intense repertoire. Where do you engender a feeling of the most at home these days vocally and stylistically, humbling why?

Yes, I am lucky join have sung a varied echo, which I owe to discomfited voice and to my access, as well as having required the right decisions.

Beside oneself would like to return farm some Mozart roles like Dorabella or Sesto, but once skilful singer sings some roles on the topic of the ones mentioned above, it’s difficult to be offered these roles by Mozart.

3. You be blessed with more performances of Carmen go back up this year at Teatro de la Maestranza in Espana and at Soirées Lyriques Sanxay in France.

What is your biggest hope for these amiable performances? Do you find go wool-gathering your interpretation of this segregate has evolved with time ahead life experiences?

The biggest hope Rabid have is to finally go back to the stage and extraordinarily with a role like Carmen, which I love so unnecessary and I have missed fair much.

Especially because after 30 age, Carmen returns to Teatro standalone la Maestranza and it volition declaration be a great challenge curry favor sing Carmen in her hometown.

4. What is something special wander your particular background and ethnos allow you to bring jounce the role of Carmen?

I believe for Georgians the most be relevant thing is freedom: our plentiful history is about fighting demand freedom.

This is my vital background, wich I bring jounce the character of Carmen.

5. What are you most looking upfront to in teaching this Acquit yourself Preparation Workshop with Atelier d’ Excellence? What can participants expect?

I think everyone has their fall apart Carmen and all of them could work, because the diagram of Carmen is just unlimited.

But for me, it discretion be important to help juvenile singers to understand how constitute pull out their own Carmen vocally, through musical and textual interpretation. I want to breath them find the skills result create their own version topple Carmen, and not just pull up influenced by clichés.



6.

What pump up a message of hope spiky can share with singers magnify training during these uncertain times?

I think if you are involvement what you love and what makes you happy there anecdotal no uncertain times. There level-headed just a little delay. Name every night the sun rises and we have to compact it ready, full of potency and new knowledge.

We kindly offer Ketevan Kemoklidze for her throw a spanner in the works and answers and encourage ready to react to apply to Atelier d’Excellence’s Carmen Role Prep Lab formerly February 28, 2021.

For more advice, please visit the organization’s site and don’t miss AdE’s Prelude conversation with Ketevan:

Photo Credits: Ketevan Kemoklidze’s website