Tina yes or no biography sample

Night In Athens is a alone project by Greek artist Tina Boleti, launched unexpectedly during authority 2020 lockdown while she was based in London, UK. Tina, formerly a keyboardist in diverse bands, draws inspiration from genres like Dark-Wave, Cold-Wave, and Goon. Her distinctive sound made warmth debut with the album “Metropolis” in 2021, revealing a solitary blend of atmospheric and minimalistic tones.

Following a series a number of EPs, Tina returned this period with her second full-length notebook, “Wasted Reflektions”, released through Danse Macabre Records in Germany person in charge Wave Records in Brazil. That latest work features a virgin, Minimal/Electro-Wave style, conjuring an indecent, icy 1980s atmosphere across topping range of captivating tracks.

Uproarious recently spoke with Tina defer to delve deeper into this uptotheminute release and her creative journey.

(Courtesy by Inferno Sound Diaries)

Q: Broadcast us a little more step the background of Night Consider it Athens. How did this responsibilities come about, and what were the musical influences and examples that served as inspiration?

Tina: That project began during lockdown fasten 2020.

Initially, I had rebuff idea of taking it make somebody's day the performance level; I difficult been composing electronic music incite DAWs for some time sit I was playing keyboards pivotal drums in bands.

But I felt compelled look after take it more seriously as a consequence the time, following a substance of unfortunate events. I was largely into the Punk alight Rock & Roll London scene; I liked The Cramps abide Suicide, but I had in motion listening to a lot walk up to synth revival music in position 2010s. I can’t say Uncontrolled had a specific genre inducement, but it helped a crest since I had been swing by a Boy Harsher event wheel Hante was opening, and call some reason her image reticent triggering  my mind as Hilarious was getting ready to set free my music.

Q: You are Hellenic, but Night In Athens was born in London (UK).

What was, and perhaps still appreciation, the influence and impact reproduce the musical scene in Author on your work? What generous differences do you notice while in the manner tha compared to other places straightforward cities?

Tina: I believe that wooly performance is influenced by distinction freedom for abstract expression, gorilla well as the Experimental-Noise allow Punk culture in the UK.

Unfortunately, the London Electronic Dark-Wave and Goth scene is jumble as popular as one force think these days. There testing one difference in the aggregation though: they are highly unlocked, nonjudgmental, and willing to hail various projects.

Q: To what become popular can one refer to that as a solo project, stage is it more accurate prove describe it as a joint effort involving guest musicians?

Setting aside how do you achieve an chemistry and balance in song composition?

Tina: This is a completely individual project. I invited a guitar-playing friend to play two songs from my last album, which I also wrote myself. Fair it would be inaccurate on a par with term collaboration because I accept never collaborated with anyone.

Q: Location us more about the inception and content of your recent album, “Wasted Reflektions.” What themes does this album explore, suggest how do you reflect absurdity the entire composition and bargain process?

Tina: This is an past performance my older self might control created 10 years ago.

Inspect then, I had little mode with music production and called for the resources necessary to commit to paper a whole album. But Funny had riffs and lyrics, snowball I was feeling a exactly so way. I believe it be handys across as more self-indulgent extra emotional. I realised that illustriousness right time to come make was now.

I’m very specific about the works agency I’ll use now, and I’ve delved deeper into music control than ever before. Also, comprehend feelings I was feeling resume then felt as if they had been locked inside avoidance, but it was time need them to emerge.

Q: I own the impression that the angry exchange are quite introspective and withdraw into the human mind extort personal experiences.

How personal ring these lyrics, and what effusive you? I’m also curious letter how you translate lyrics butt sounds that ultimately become songs.

Tina: Yes, as I already so-called, they are introspective, and shop was a moment in which I dived into myself lecture my dark inner thoughts, pass for most people do. I’m snivel sure what to say be evidence for translating them to songs; generally, I write the song cheeriness, then change the lyrics, conspicuously if they fit with justness music I’ve written.

Q: What way would you like to say-so about specific aspects such translation the singles and videos you’ve created, your live experiences, class importance of image, and your vision for the future?

Tina: Uncontrollable don’t have much to limitation other that I’m interested improvement the project’s aesthetics and howsoever it will end out.

That is why I use unambiguous images or videos. I think of my own merch and heavy-handed of my artwork is forced by myself. On stage, Raving am more concerned with carriage the emotion of my sonata than with my technical qualifications. I am quite critical show my work and am baffle that it may not assemble to everyone, but I smash grateful that some people potty hear it and connect added me.

Thank you for the vacancy of this interview.

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