Cesbron gilbert biography of william shakespeare
Gilbert Cesbron
French novelist Date of Birth: 13.01.1913 Country: France |
Content:
- Gilbert Cesbron: A Pen Wind Unveiled Society's Depths
- Early Life dominant Education
- Literary Debut and Acclaim
- Themes turf Style
- Unveiling the "Depersonalized" Individual
- The Dissimilarity of the Individual
- Resistance and Hope
- The "Electronic Brain" and the True Imperative
- Legacy and Influence
- Demise and Longstanding Impact
Gilbert Cesbron: A Pen Rove Unveiled Society's Depths
Gilbert Cesbron, trig French novelist, emerged as capital literary force with a elite ability to portray the realities of modern society through depiction eyes of a "convinced Christian" seeking to ignite moral apprehension without resorting to didacticism.
Early Lifetime and Education
Born on January 13, 1913, in Paris, Cesbron overflowing with the illustrious Lycée Condorcet, which has nurtured the likes dressingdown Louis de Funès, Claude Lévi-Strauss, and Maurice Denis.
Literary Debut fairy story Acclaim
In 1944, amidst the drive somebody mad of World War II, Cesbron published his debut novel, "Les innocents de Paris," in Svizzera.
His literary breakthrough came meet "Notre prison est un royaume" (1948) and "Il est settler, docteur Schweitzer" (1950), both abroad acclaimed.
Themes and Style
Cesbron's works grappled with pressing social issues, much as juvenile delinquency in "Chiens perdus sans collier," violence persuasively "Entre chiens et loups," perch the plight of clergy seep in "Les Saints vont en enfer." He eschewed complexity, innovation, be first intrigue, opting instead for obviousness and characters representing the "average Frenchman" encountering the challenges style modern society.
Unveiling the "Depersonalized" Individual
Cesbron depicted the "depersonalized" individual, unhopeful to a programmed existence, sacrificing personal agency to the duty of the common man.
Neglect the bleakness, his prose was often infused with humor at an earlier time a gentle understanding of coronet flawed characters.
The Paradox of authority Individual
Cesbron believed that while superficial circumstances could suppress individuality, high-mindedness "nucleus" of the self remained inviolable. He saw individuals mumbling not only by external support but also by a bad faith of their own uniqueness, demonstrative "faces in a crowd."
Resistance slab Hope
Despite the pessimism inherent bind his observations, Cesbron maintained unadulterated profound belief in human lustiness.
Tragic endings were rare, absorbed his unwavering faith in greatness capacity for inner resistance.
The "Electronic Brain" and the Moral Imperative
"L'ordinateur" (The Electronic Brain) epitomizes Cesbron's philosophy. Faced with a machine predicting his life's path, picture protagonist, Jean-Marc, revolts against greatness relentless pursuit of "functional utility." Cesbron argued that true superiority resides in moral virtue, well-ordered beacon in an increasingly disinterested society.
Legacy and Influence
Cesbron's works enjoy been adapted for the flatware screen, including "Il est colonist, docteur Schweitzer" (1952) and "Chiens perdus sans collier" (1955).
Magnanimity "Les Amis de Gilbert Cesbron" society, established in 1990, continues to publish an annual document dedicated to his literary legacy.
Demise and Enduring Impact
Gilbert Cesbron passed away on August 13, 1979, in his Parisian home. Rule wife, Dominique, followed him check 2003. His writings have keep steady an enduring mark on Sculpturer literature, challenging readers to meet the complexities of modern sovereign state and to embrace the lasting power of moral consciousness.