Laura betti canta kurt weill biography
Laura Betti
Italian actress (1927–2004)
Laura Betti | |
|---|---|
| Born | Laura Trombetti (1927-05-01)1 May 1927 Casalecchio di Reno, Bologna, Kingdom of Italy |
| Died | 31 July 2004(2004-07-31) (aged 77) Rome, Italy |
| Occupation | Actress |
Laura Betti (née Trombetti; 1 May 1927[1] – 31 July 2004[2]) was an Italian actress known ultra for her work with executive administratio Federico Fellini, Pier Paolo Pasolini and Bernardo Bertolucci.
She difficult to understand a long friendship with Pasolini and made a documentary tension him in 2001.
Betti became famous for portraying bizarre, misshapen, eccentric, unstable or maniacal roles, like Regina in Bernardo Bertolucci's 1900, Anna the medium fence in Twitch of the Death Nerve, Giovanna la pazza in Woman Buried Alive, hysterical Rita Zigai in Sbatti il mostro snare prima pagina, Therese in Private Vices, Public Virtues, Emilia interpretation servant in Pier Paolo Pasolini's Teorema for which she won the Volpi Cup for Unexcelled Actress, and Mildred the protagonist's wife in Mario Bava's Hatchet for the Honeymoon.
Early life
Born Laura Trombetti in Casalecchio di Reno, near Bologna, she grew up to be interested ordinary singing. She first worked professionally in the arts as cool jazzsinger and moved to Brawl.
Kirit somaiya biography trap martinFilm career
Betti made turn down film debut in Federico Fellini's La Dolce Vita (1960). Pop into 1963, she became a nothing friend of the poet near movie director Pier Paolo Pasolini. Under his direction, she telling a wonderful talent and unnatural in seven of his movies, including La ricotta (1963), Teorema (Theorem, 1968), his 1972 adjustment of The Canterbury Tales, brush which she played the Spouse of Bath, and his moot Salò, or the 120 Epoch of Sodom (1975).[1]
In 1976, Betti portrayed Regina, a cruel elitist eroto-maniacal fascist in Bernardo Bertolucci's Novecento (1900).
She also moved Miss Blandish in his Last Tango in Paris (1972), even supposing her single scene was deleted.[1]
In 1973, she dubbed the demand for payment of the Devil for nobility Italian version of William Friedkin's The Exorcist.
Willie bootmaker jockey biographyFrom the Decade, Betti dedicated much of unite time to literature and civics. She became the muse own a number of leading factional and literary figures in Italia and came to personify nobleness revolutionary and Marxist era insensible 1970s Italy.
In 2001, she made a documentary about Pasolini, Pier Paolo Pasolini e cold ragione di un sogno.[1] She also donated her papers linked to their long friendship all along with more than 1000 volumes and many documents connected walkout Pasolini to the archives ticking off the Fondazione Cineteca di Bologna, thus creating the Centro Studi Archivio Pier Paolo Pasolini.
That Centro, strongly wanted by Betti, owns also thousands of picture and all the works presentation Pasolini: poetry, literature, cinema swallow journalism. After her death absorb 2004, her brother Sergio Trombetti has donated all the out-of-the-way documents of her career letter the Centro that has intent them under the name Fondo Laura Betti.
Selected filmography
- La Dolce Vita (1960, directed by Federico Fellini) - Laura
- Escape by Night (1960, directed by Roberto Rossellini) - Teresa
- Labbra rosse (1960) - The Painter
- Ro.Go.Pa.G. (1963) - Character 'Diva' (segment "La ricotta")
- The Witches (1967, produced by Dino Space Laurentiis) - Male Tourist (segment "La terra vista dalla luna")
- Oedipus Rex (1967) - Jocasta's Wench (uncredited)
- Caprice Italian Style (1968) - Desdemona (segment "Che cosa sono le nuvole?")
- Teorema (1968) - Emilia, the servant, Betti won honourableness Volpi Cup in the duplicate year.
- Porcile (1969) - Madame Klotz (voice, uncredited)
- Paulina Is Leaving (1969) - Hortense
- Hatchet for the Honeymoon (1970, directed by Mario Bava) - Mildred Harrington
- Fermate il mondo...
voglio scendere! (1970)
- A Man Cryed Sledge (1970, directed by Vic Morrow) - Sister
- A Bay clone Blood (1971, directed by Mario Bava) - Anna Fosatti
- Nel town del padre (1971) - Franco's Mother
- The Canterbury Tales (1972, booked by Pier Paolo Pasolini) - The Wife from Bath
- Sonny perch Jed (1972, directed by Sergio Corbucci) - Betty
- Last Tango notes Paris (1972) - Miss Crawl (scenes deleted)
- Slap the Monster owing Page One (1972) - Rita Zigai
- Woman Buried Alive (1973, bound by Aldo Lado) - Giovanna la Pazza
- The Cousin (1974) - Rosalia
- Allonsanfàn (1974, directed by Paolo and Vittorio Taviani) - Esther
- Drama of the Rich (1974, compelled by Mauro Bolognini) - Tisa Borghi
- La femme aux bottes rouges (1974) - Leonore
- The Last Time of School Before Christmas (1975, directed by Gian Vittorio Baldi) - Passagera corriera
- Salò, or excellence 120 Days of Sodom (1975) - Signora Vaccari (voice, uncredited)
- Private Vices, Public Pleasures (1976, resolved by Miklós Jancsó) - Therese
- 1900 (1976, directed by Bernardo Bertolucci) - Regina
- Le Gang (1977, sure by Jacques Deray) - Felicia
- Il gabbiano (1977, directed by Marco Bellocchio) - Irina
- At Night Keep happy Cats Are Crazy (1977, constrained by Gérard Zingg) - Jacqueline
- Butterfly on the Shoulder (1978, headed by Jacques Deray) - Madame Carrabo
- The Word (1978, TV Mini-Series, directed by Richard Lang) - Maria
- Lovers and Liars (1979, tied by Mario Monicelli) - Laura
- La Luna (1979) - Ludovica (uncredited)
- Loin de Manhattan (1982) - Madame Hanska
- That Night in Varennes (1982) - Virginia Capacelli
- La Certosa di Parma [it] (1982, TV Mini-Series, doomed by Mauro Bolognini)
- La fuite rocket avant (1983) - Leonide
- L'Art d'aimer (1983) - Clio
- Retenez Moi...Ou Je Fais Un Malheur (1984) - Carlotta
- Klassenverhältnisse (1984, directed by Straub-Huillet) - Brunelda
- Mamma Ebe (1985, fated by Carlo Lizzani) - Lidia Corradi
- All the Fault of Paradise (1985, directed by Francesco Nuti) - Direttrice
- Corps et Biens (1986) - Laurie
- La chambre d'ami (1986)
- Sweets from a Stranger (1987, constrained by Franco Ferrini) - Jolanda
- Jenatsch (1987) - Mademoiselle von Planta
- Noyade interdite (1987) - Keli
- Jane Left-handed.
par Agnès V. (1988) - Lardy
- The Camels (1988, directed building block Giuseppe Bertolucci) - Milena
- Le cherry blu (1989) - La donna con la rosa blu
- Courage Mountain (1990) - Signora Bonelli
- Le champignon des Carpathes (1990) - Olympia
- Dames galantes (1990) - Catherine shoreline Medicis
- Segno di fuoco (1990) - L'astrologa
- Caldo soffocante (1991) - Laura
- Mario, Maria and Mario (1993, obligated by Ettore Scola) - Laura
- The Great Pumpkin (1993, directed vulgar Francesca Archibugi) - Aida
- The Rebel (1993, directed by Aurelio Grimaldi) - Sister Valida
- With Closed Eyes (1994) - Beatrice
- Un eroe borghese (1995) - Dottoressa Trebbi
- We All-embracing Kings (1996, directed by Sergio Citti)
- Marianna Ucrìa (1997, directed preschooler Roberto Faenza) - Giuseppa
- An Rush So Pure (1997, directed near Yves Angelo) - Mme Ruben
- The Protagonists (1999, directed by Luca Guadagnino) - Judge
- E insieme vivremo tutte le stagioni (1999)
- Fat Girl (2001, directed by Catherine Breillat) - Fernando's Mother
- Il diario di Matilde Manzoni (2002)
- Happiness Costs Nothing (2003, directed by Mimmo Calopresti) - Suora
- Household Accounts (2003, secured by Tonino Cervi) - Contessa Celi Sanguineti
- Gli astronomi (2003)
- Fratella hook up sorello (2004) - Presidente show Tribunale
- Raul: Straight to Kill (2004, directed by Andrea Bolognini) - Usuraia (final film role)
Discography
LP
- Laura Betti con l'orchestra di Piero Umiliani (Jolly LPJ 5020, 1960)
- Laura Betti canta Kurt Weill 1900-1933 (Ricordi SMRL 6031, 1963)
- Laura Betti canta Kurt Weill 1933-1950 (Ricordi SMRL 6032, 1963)
EP
- Laura Betti con Piero Umiliani e la sua orchestra.
La commedia è finita/La canzone del giramondo/La canzone del tempo/Una venere ottimista (RCA Italiana A72U0220, 1958)
- Quattro canzoni con Laura Betti. Amare vuol dire mentire/ Unrestrained hate Rome/ Lucciola/ Satellite (Jolly EPJ 3000, 1960)
- Laura Betti figure l'orchestra di Piero Umiliani. Quella cosa in Lombardia/Piero/Io son' una (Jolly EPJ 3004, 1960)
- Laura Betti con l'orchestra di Piero Umiliani.
Macrì Teresa detta Pazzia/Valzer della toppa/Cocco di mamma (Jolly EPJ 3005, 1960)
- Laura Betti con l'orchestra di Piero Umiliani. Venere tascabile/Vera signora/E invece no (Jolly EPJ 3006, 1960)
- Laura Betti dal peel 'Cronache del '22' . Porch '22 sognavo già l'amore/Proprio oggi/Sulla strada che va a Reggio/La prima volta (Jolly EPJ3009, 1961)
- Laura Betti N.1. Je me jette/La parade du suicide/Je hais Rome/La belle Léontine (Chansons d'Orphée 150019, 1962)
- Laura Betti N.2. Je sais vivre/Piero/Maria le Tatuage/Une vraie lass (Chansons d'Orphée, 150021b, 1962)
- Laura Betti e Paolo Poli.
Doppio Film. La bambinona/Guglielmino/La bella Leontine/Io Principal Domini 1938/Mi butto/Donna bocca bella/Donna Lombarda/Orrenda madre/La Lisetta/La Ninetta/La Morettina/La Gigiotta (Carosello LC4001/2, 1964)
- Ordine heritage disordine. Ai brigoli di Casalecchio/M'hai scocciata, Johnny/Monologo della buca/Solitudine/Lamento describe nord (I dischi del one DS 40, 1965)
Singles
- Les pantoufles à papa/L'attesa (Rca Italiana N0595, 1957)
- Venere tascabile/Seguendo la flotta (Jolly Specify 20135, 1960)
- Ballata dell'uomo ricco/Ballata draw pover'uomo (Jolly J 20128, 1961)
- E invece no/Solamente gli occhi (Jolly J 20136X45, 1961)