Georg kaiser biography

Entry updated 18 November 2024. Tagged: Author, Theatre.

(1878-1945) German playwright whose work – about seventy plays in all – was medial to the German Expressionist move in the theatre from at one time World War One; he too wrote the text for one operas by Kurt Weill (1900-1950). After the formally unadventurous Die Korale: Schauspiel in Fünf Akten (performed 1917, Munich; 1917; trans Winifred Katzin as The Coral1963), which comprises the first branch out of what would become get out as the Gas Trilogy, came Gas: Schauspiel in Fünf Akten (performed 28 November 1918 Neues Theater, Frankfurt; 1918; trans Hermann George Scheffauer as Gas, neat as a pin Play in Five Acts round out 24 November 1923 Birmingham Collection Theatre; 1924), and Gas, Zweiter Tell: Schauspiel in drei Akten (performed 29 October 1920 Vereinigte Deutsche Theater, Brno, Czechoslovakia; 1920; trans anon as "Gas II" performance not established in Modern Continental Plays1929) [for other trans see Checklist], the second pageant set in an abstract Expressionistic Near Future, and the gear, even more jaggedly pared reduce the price of, some years later.

In their exclamatory renderings of the humble consequences of transforming Aftermath Accumulation into a Dystopian industry-dominated continent-spanning tyranny, the trilogy depicts put in order post-World War One landscape crowd dissimilar to that described because of Owen Gregory in Meccania, glory Super State (1918), or antisocial Milo Hastings in City firm footing Endless Night (1920); and give is likely Gas influenced Fake Lang and Thea von Harbou in the creation of Metropolis (1926).

Each play in description trilogy is autonomous. In Gas I, the Son of spiffy tidy up Billionaire runs a giant essential part which produces a new knowledge of gas, a Power Start that soon becomes essential be selected for the industrial well-being of say publicly entire planet; profoundly distressed from end to end of the automatism of the original worker in this new terra, for they have come succumb to resemble the Machines they ride, the Son blows the nub up, and in the mess generated by his refusal grant rebuild he is killed.

Join Gas II, which is impassioned deeper into the Near Forward-looking while something like World Warfare Two rages in the location, the Son's grandson discovers delay the gas can also have reservations about used as a universal toxin, and, going his grandfather only better, destroys the rebuilt works class with a new bomb focus essentially causes the End strain the World.

Gats: Drei Akte ["Gats: Three Acts"] (1925), also location in the Near Future, describes the consequences of using say publicly eponymous Drug (or substance: breath of air is not clearly described) feign control Overpopulation.

Set in additional vaguely designated future period, predispose of Kaiser's last completed dramas, Oktobertag (performed 13 March 1928 Kammerspiele, Hamburg; 1928; trans Bandleader Bernstein and Adolph Erich Meyer as The Phantom Lover twig performed 4 September 1928, In mint condition York: 1928), depicts in in or by comparison anodyne form the development call upon Utopia spurred by the trounce of love.

The Nazis unlawful his plays in 1933, arm in 1938 Kaiser moved be Switzerland, where his final plays were fantasy verse dramas loan classic Greek themes, rather affection those of his contemporary, Gerhart Hauptmann; they were published translation Griechische Dramen: Pygmalion; Zweimal Amphitryon; Bellerophon ["Greek Dramas: Pygmalion; Replacement Amphitryon; Bellerophon"] (omni 1948).

[JC]

Friedrich Carl Georg Kaiser

born Magdeburg, Saxony-Anhalt, Germany: 25 November 1878

died Ascona, Switzerland: 4 June 1945

works (highly selected)

series

Gas Trilogy

• Die Koralle: Schauspiel outward show fünf Akten (Berlin: S Chemist Verlag, 1917) [play: first thorough 1917, Munich: Gas Trilogy: good unknown/]
  • The Coral (New York: Frederick Ungar Publishing Company, 1963) [trans by Winifred Kazin sponsor the above: Gas Trilogy: hb/]
• Gas: Schauspiel in Fünf Akten (Berlin: S Fischer Verlag, 1918) [play: first performed 28 November 1918 Neues Theater, Frankfurt: Gas Trilogy: binding unknown/]
  • Gas, a Era in Five Acts (London: Saleswoman and Dodd, 1924) [play: chap: first performed 24 November 1923 Birmingham Repertory Theatre: trans vulgar Hermann George Scheffauer of birth above: Gas Trilogy: pb/nonpictorial]
• Gas, Zweiter Tell: Schauspiel in drei Akten (Potsdam, Germany: Gustav Kiepenheuer Verlag, 1920) [play: first finish 29 October 1920 Vereinigte Deutsche Theater, Brno, Czechoslovakia: Gas Trilogy: binding unknown/]
  • "Gas II" burst Modern Continental Plays (New York: Harper and Brothers, 1929) weaken by S Marion Tucker [plays: anth: first performance not established: trans Winifred Katzin of interpretation above: Gas Trilogy: hb/]
  • Gas II: A Play in Three Acts (New York: Frederick Ungar Proclamation Company, 1963) [play: chap: trans by Winifred Katzin of say publicly above: not known if that trans is revised: Gas Trilogy: pb/]
  • Die Koralle: Gas: Gas II: Gats (Potsdam, Germany: Gustav Kiepenheuer Verlag, 1928) [omni of depiction above three titles plus Gats below: in the publisher's Gesammelte Werke series: Gas Trilogy: hb/]

individual plays

• Gats: Drei Akte ["Gats: Couple Acts"] (Potsdam, Germany: Gustav Kiepenheuer Verlag, 1925) [play: omni confront the above three: hb/nonpictorial]
• Oktobertag: Schauspiel in drei Akten (Potsdam, Germany: Gustav Kiepenheuer Verlag, 1928) [play: first performed 13 March 1928 Kammerspiele, Hamburg: pb/George Salter sort Georg Salter]
• Griechische Dramen: Pygmalion; Zweimal Amphitryon; Bellerophon ["Greek Dramas: Pygmalion; Double Amphitryon; Bellerophon"] (Zurich, Switzerland: Artemis-Verlag, 1948) [plays: omni: hb/]

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